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Return from the Fields
Return from the Fields
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Return from the Fields

Artist Sabina Teichman (American, 1905 - 1983)
Dateundated
MediumOil on canvas
DimensionsFrame: 25 1/4 x 29 1/4 x 1 1/4 in. (64.14 x 74.3 x 3.18 cm)
Sight: 17 3/4 x 21 5/8 in. (45.09 x 54.93 cm)
ClassificationsPaintings
Credit LineGift of William H. and Eloise R. Chandler
Object numberPA-81-54
Collections
Landscape near Giverny, France, in late summer showing field of oats and poppies; trees on the right; a distant view of hills on the horizon.
Champ d'avoine (Oat Field)
Claude Monet
1890
Return from Harvesting (The Cotton Picker)
Return from Harvesting (The Cotton Picker)
James Wells Champney
c.1873-74
An abstract painting featuring a large, uneven bright orange block. Above it is a muted brown section crossed by a thin dark horizontal line. Below the orange block, a thin, wavy light blue line spans the very dark canvas.
Infinity Field
Theodoros Stamos
1977
Study for one of six canvases in the mural series entitled "Art of the Negro", commissioned for the Trevor Arnett Library (in-situ) at Atlanta University (now Clark-Atlanta University), completed in 1952. The upper zone of the study is dominated by the figure of Shango, the spirit of lightning and thunder in contemporary Yoruba culture in western Nigeria. To the left of Shango, the brightly colored masked figures evoke images from ancient rock paintings in southwestern Africa. On the right of Sh…
Native Forms (study), from the series “Art of the Negro”
Hale Aspacio Woodruff
1950
St. Augustine from Matanzas River
St. Augustine from Matanzas River
Robert S. German
1890
Fort Marion from San Marco Pier, St. Augustine, Florida
Fort Marion from San Marco Pier, St. Augustine, Florida
Frank Henry Shapleigh
1887
View From Desco Marine St. Augustine
View From Desco Marine St. Augustine
Louis Charles Vogt
undated
A framed still life painting of a table with a textured clear vase of purple flowers, stacked light blue glass plates, a blue glass bowl, a yellow glass pitcher, silver forks, white napkins, and four red plums.
Green Glass from Alexis
Janet Fish
2001
Four children playing ball in a grassy field; four large trees with purple blossoms in the background
Untitled, from the Memories series
Theora Hamblett
1968
A vertical abstract composition on paper featuring looping blue lines on a white surface, accented with small patches of orange and teal throughout the center.
Untitled
Carl Robert Holty
1953
A painting in a gold frame depicts a landscape with tall, thin trees featuring sparse foliage against a cloudy blue sky. A dark, shadowed foreground suggests water at the base of the trees.
Florida Marsh Scene
Herman Herzog
c. 1900
A woman in a green dress stands in the yard of a farmhouse. There is a tree in the foreground and a red building in the distance. The scene depicts the home of Jim Twadell, a horse trainer whom Bellows knew in Woodstock.
Jim Twadell's Place
George Wesley Bellows
1924

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