Skip to main content
Very soft blurred forms, some hard edges, looks like an out of focus photograph.
August Still Life
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

August Still Life

Artist Clinton Adams (American, 1918 - 2002)
Printer Lynton R. Kistler (American, born 1897)
Date1956
MediumLithograph on paper
DimensionsPaper: 20 1/4 x 23 7/8 in. (51.44 x 60.64 cm)
Image: 12 7/8 x 17 1/2 in. (32.7 x 44.45 cm)
ClassificationsPrints
Credit LineGift of Clinton and Mary Adams
Object number1998.14.1
Collections
Visual DescriptionVery soft blurred forms, some hard edges, looks like an out of focus photograph.
Black and white, sharp outlines of geometric shapes, softer blending around and inside the shapes, appear to be resting on a table.
Clinton Adams
1985-1986
Monochromatic print featuring two framed sections. The top square contains a fragmented, textured composition of architectural elements, foliage, and geometric shapes. A horizontal band below displays dark, smudged, symmetrical rectangular forms.
Clinton Adams
1959
Broken Land III
Clinton Adams
1961
A black and white landscape scene. In the foreground, a few sparse bushes on barren earth underneath a clear sky. In the midground, an endless sea of houses and buildings extend to the sides of the photograph and to the low mountains in the background.
Robert Adams
1968-1972
An off-white print featuring the poem "Another August" By James Merrill in orange text on the left. Beside it is a soft, sweeping sketch of tall trees and a tiny figure on a path, rendered in pale blue, green, and brown.
The poem reads:
Pines. The white, ochre-pocked houses. Sky unflawed. Upon so much former strangeness a calm settles, glaze of custom to be neither shattered nor shattered by. Home. Home at last. Years past—blind, tattering wind, hail, tears—my head was in those clouds that now…
George Lockwood
1968
Eleven men are at a conference table with one woman; they are gathered around her and there are pencils and scrap paper all over the table; some men talk to each other, one looks out the window.
Albert James Webb
1936-1943
Precisionist-like drawing of a train yard with trains (and steam from the engines), tracks, and tall buildings with cylindrical forms- all in soft, grainy style of rendering and dramatic light.
Louis Lozowick
1933
null