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Floor length garment with round neck and long sleeves batik-dyed damask; gold and white on purple.
Adire caftan
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Adire caftan

Maker Nigerian Artist
Datec. 1988
Place of originNigeria
MediumBatik dyed cotton
Dimensions50 1/2 × 54 in. (128.3 × 137.2 cm)
ClassificationsTextiles
Credit LineGift of Joanne B. Eicher
Object number2016.79.5
Collections
Visual DescriptionFloor length garment with round neck and long sleeves batik-dyed damask; gold and white on purple.
Tie-dyed cloth Adire
Nigerian Artist
1960s
Batik cloth
Khadi Kamara
1980s
Batik cloth
Khadi Kamara
1980s
Body of robe is green damask densely patterned with Three Friends of Winter motif; white satin cuffs and both the black binding and a woven pink binding are embroidered with butterflies.  There is a narrow blue silk binding at hem and between white cuffs and bindings on sleeves; there is a gold ribbon on either side of pink binding panel.  The buttons are a textured gilded brass, and the lining is an off-white silk.
Chinese Artist
Qing dynasty (1644-1911), late 19th century
White and blue striped tunic with open neck, wide sleeves and pleats made of handspun and handwoven narrow strips; lined with sacking material
Dagomba Artist
20th century
Resist dyed damask, with burgundy field, small orange and white tie-dyed areas made by thread resist; central pattern has small tie-dyed shapes configured in concentric squares
Malian Artist
20th century
Resist dyed damask cloth with burgundy, lime green, orange white, blue patterns: hearts, circles and solid areas (larger textile); headtie, solid lime green.
Malian Artist
20th century
Tie dyed cloth with machine stitching irregular light blue and white circles in rows on indigo background.
Yoruba Artist
c. 1987
19 panels, all hand sewn. Medium wieght all cotton cloth with orange/gold rayon overshot yarn to fabricate the kola nut leaf motifs. Ten yarn colors were used, in addition to the overshot, with colored warps and wefts creating an additional secondary palette of colors.
Ewe Artist
1940s
Dress consists of a long white lace shirt; an Ukara wrapper (a cotton cloth resist-dyed in indigo); an Okpomkpom (a long neck adornment with patterned and stitched detail), a beaded hat, shoes and vest; and a walking stick/cane decorated with nisbidi by staining black pigment.
Emmanuel Edem Effiom, Calabar
2010
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