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Rocks Triptych
Rocks Triptych
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Rocks Triptych

Artist Evon Streetman (American, b. 1932)
Publisher/Publishing House Hogtown Graphics
Date1978
MediumGelatin silver print with applied pigment
DimensionsMat: 20 x 24 in. (50.8 x 61 cm)
board: 16 x 20 in. (40.6 x 50.8 cm)
Sheet size: 11 x 14 in. (27.9 x 35.6 cm)
Image: 10 3/4 x 13 3/4 in. (27.3 x 34.9 cm)
ClassificationsPhotographs
Credit LineGift of Hogtown Graphics
Object numberPR-80-36-L
Collections
Visual Descriptionhas silver highlights; mounted on board
Close-up view of men playing chess outdoors in New York City, and the expressive gesture of one of them who has just made a move.
Chess Players, Washington Square Park, New York
Evon Streetman
Photo date: 1956; Print date: 2016
An upright broom in the center of the composition surrounded by falling leaves. In the background, the distorted silhouettes of trees and grass. Bubbles are visible throughout the foreground.
Falling Landscape III
Evon Streetman
1994
A hammer lies at the bottom of the composition on a flat surface, surrounded by a blue outline. The surface is divided into two, with a smaller blue region at the top and a larger gray region at the bottom. The surface is covered with small flowers and clear stones.
Landscape for Harold
Evon Streetman
1994
Combination print of landscape and water with superimposed head and torso of the artist
Self-Portrait
Evon Streetman
1973
Splotches of digitized yellow paint on a digitized clear sheet of paper over a rock crevice; the negative images of the yellow paint splotches in green and pink, respectively, on the rock itself.
Homage to Henry Holmes Smith
Evon Streetman
1983
A humorous portrait of photographer Jerry Uelsmann amid the props he used recurringly in his imagery, namely orbs & angels, and her signature grid of clouds and sky behind him.
Portrait of Jerry Uelsmann
Evon Streetman
c. 1990
Black and white print, image of figure from the waist up with arms crossed, resembles both man and animal, strongly lit from the proper right side, heavy shadows on the proper left side of the face.
Der wilde Mann Series/1985: The Temperaments (Sanguine I)
William E. Parker
1985
A black and white print displaying flat, sharply angled planes intersecting to form deep corners. Each surface is densely covered in repeating geometric patterns, such as grids and honeycombs, heavily contrasted by bright highlights and dark shadows.
Robert Morris 131-1
Alan Cohen
1989
A black and white print composed of dense, repeating patterns of small, curved lines. Each surface is densely covered in repeating geometric patterns, such as grids and honeycombs, heavily contrasted by bright highlights and dark shadows.
Robert Morris 132-1
Alan Cohen
1989
A black and white print composed of dense, repeating patterns of small, curved lines. Each surface is densely covered in repeating geometric patterns, such as grids and honeycombs, heavily contrasted by bright highlights and dark shadows.
Robert Morris 133-16
Alan Cohen
1989
A black and white print composed of dense, repeating patterns of small, curved lines. Each surface is densely covered in repeating geometric patterns, such as grids and honeycombs, heavily contrasted by bright highlights and dark shadows.
Robert Morris 133-8
Alan Cohen
1989
Side view of a shirtless grimacing man crouching, left hand clutching right shoulder, head at right with open mouth and tongue protruding.
Der wilde Mann Series/1986: The Temperaments (Fearful I)
William E. Parker
1986

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