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A gold-framed painting depicting a leafy branch bearing several round oranges and delicate white blossoms.
Orange Blossoms
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Orange Blossoms

Artist Bernice Masters (American, 19th-20th Century)
Dateundated
MediumOil on canvas
DimensionsFrame: 28 1/8 × 24 1/8 × 1 3/4 in. (71.4 × 61.3 × 4.4 cm)
Sight: 21 1/2 × 17 1/2 in. (54.6 × 44.5 cm)
ClassificationsPaintings
Credit LineThe Florida Art Collection, Gift of Samuel H. and Roberta T. Vickers
Object number2020.18.196
Collections
Visual DescriptionA gold-framed painting depicting a leafy branch bearing several round oranges and delicate white blossoms.
Meiji period (19th century). Modeled in the outline of a plum blossom and designed in silver and gold wire–outlined cloisonne and wireless enamel with two birds perched on a branch of flowering pink plum, the lower portion of the background shaded gray and the sky area shaded blue, the underside decorated with chocolate-brown cherry florets outlined in gold wire on a dark brown ground, rim in gold and copper shakudo metal.
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Namikawa Sosuke
c. 1900-1910
Abstract painting with uniform shapes and color variations across plane; whites greens, oranges and blues.
Study for Romulus and Remus
Carl Robert Holty
c. 1955
Four children playing ball in a grassy field; four large trees with purple blossoms in the background
Untitled, from the Memories series
Theora Hamblett
1968
A framed painting focusing on a heavily textured pine tree trunk. A wooden paddle leans against its left side, and a leafy green plant grows on its right. A quiet lake and distant trees are visible in the background.
Lob Lolly Pine
Carlton Wilder
1978
Study for one of six canvases in the mural series entitled "Art of the Negro", commissioned for the Trevor Arnett Library (in-situ) at Atlanta University (now Clark-Atlanta University), completed in 1952. The upper zone of the study is dominated by the figure of Shango, the spirit of lightning and thunder in contemporary Yoruba culture in western Nigeria. To the left of Shango, the brightly colored masked figures evoke images from ancient rock paintings in southwestern Africa. On the right of Sh…
Native Forms (study), from the series “Art of the Negro”
Hale Aspacio Woodruff
1950
Fruit and leaves with signature and seal on left
Fruit and Blossom
복숭아
園桃熟
Kim Yong-jin 김용진 金容鎭
mid 20th century
Peony with inscription; signature and seal on left
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모란도
牡丹花圖
Korean Artist 작자미상 作者未詳
Joseon Dynasty (1392-1910), 19th century
A framed painting of a turbulent blue ocean with large, cresting waves and white foam. Several dark sharks swim through the swelling water in the foreground, beneath a streaky, pale greenish-blue sky.
Sharks in the Gulfstream
Charles Herbert Woodbury
1935
A framed still life painting with pink flowers in a wavy red glass vase, a green and yellow fan, glass bowls, winding orange ribbon, and sheer draped orange-pink fabric arranged on a white surface against a bright green background.
Mountain Pinks
Janet Fish
2001
A gold-framed painting of dark blue, rounded mountains above a wavy, pale blue foreground. A bright white semi-circle glows behind the central peak, radiating vertical lines of light into a dark blue sky with swirling clouds.
Giant Mountain, No. III
Harold Weston
1922
A gold-framed painting of two sailboats moored in calm water with figures aboard. One features a large reddish-brown sail, set against distant hills and small rowboats.
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Florence Furst
undated
A gold-framed painting of a sunlit palm grove. Dried brown fronds drape over the grassy foreground, with tall, curved palm tree trunks set against a pale blue sky.
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Johanna Hailman
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