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Untitled
Untitled
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Untitled

Artist Dan Biferie (American, born 1950)
Date1996
MediumInkjet print
DimensionsImage: 15 7/8 x 5 3/4 in. (40.3 x 14.6 cm)
Mat: 20 x 16 in. (50.8 x 40.6 cm)
Paper: 17 x 11 in. (43.2 x 27.9 cm)
ClassificationsPhotographs
Credit LineGift of Kathryn Gray and Alex Nyerges
Object number2022.31.8
Collections
Visual DescriptionSigned, dated on mat recto. Composite print of church and tree shadows.
Reflection, Linville, Ohio
Reflection, Linville, Ohio
Dan Biferie
1998
Untitled
Untitled
Jerry Uelsmann
1977
Untitled
Untitled
Robert C. Skelley
1977
Untitled
Untitled
Todd Walker
1977
A black and white composite photograph of a face partially obscured by multiple overlapping hands covering the eyes and forehead. The figure is surrounded by heavily crumpled, textured material with strong, contrasting shadows.
Untitled
Jerry Uelsmann
1987
composite image made from multiple photographs, among the first inkjet prints made by the artist
Untitled (Law Enforcement Checkpoint)
Robert Fichter
c. 1990
Shadows on the wall.
Untitled
Stephanie Burk
1975
Untitled
Untitled
Douglas Prince
1977
Black and white print, image of figure from the waist up with arms crossed, resembles both man and animal, strongly lit from the proper right side, heavy shadows on the proper left side of the face.
Der wilde Mann Series/1985: The Temperaments (Sanguine I)
William E. Parker
1985
A black and white print displaying flat, sharply angled planes intersecting to form deep corners. Each surface is densely covered in repeating geometric patterns, such as grids and honeycombs, heavily contrasted by bright highlights and dark shadows.
Robert Morris 131-1
Alan Cohen
1989
A black and white print composed of dense, repeating patterns of small, curved lines. Each surface is densely covered in repeating geometric patterns, such as grids and honeycombs, heavily contrasted by bright highlights and dark shadows.
Robert Morris 132-1
Alan Cohen
1989
A black and white print composed of dense, repeating patterns of small, curved lines. Each surface is densely covered in repeating geometric patterns, such as grids and honeycombs, heavily contrasted by bright highlights and dark shadows.
Robert Morris 133-16
Alan Cohen
1989

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