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A man dressed in a jacket, shirt and bow tie wraps his arms around a woman in front of him; both figures look upward and have open mouths as if singing
Untitled
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Untitled

Artist Harold Anchel (American, 1912-1980)
Date1935-1939
Place of originUnited States, North and Central America
MediumCharcoal on Paper
DimensionsOverall: 10 1/4 x 8 3/4 in. (26.04 x 22.23 cm)
ClassificationsDrawings
Credit LineGift of David Anchel
Object number2025.9.2
Collections
Visual DescriptionA man dressed in a jacket, shirt and bow tie wraps his arms around a woman in front of him; both figures look upward and have open mouths as if singing
An older woman in a dress, jacket and hat, is seated with her arms folded on her lap
Harold Anchel
1935-1939
Three figures seated at a table with a glowing candle on the tabletop; a young woman is at left and a man at right; an older woman in the center leans over and touches the palm of the younger woman on the left
Harold Anchel
1935-1939
Two men are seated on a bench in a park; nine pigeons are on the path in front of the bench; two women wearing hats are seated on another bench to the right; the background includes trees and bushes
Harold Anchel
1935-1939
Man with an anvil in his hands bending over.
Diego Rivera
c. 1945
Portrait of a nude man with his back to viewer, standing before a large wagon wheel.
Leon Kroll
undated
WPA lithograph of park scene, trees, benches, and woman pushing a baby carriage.
Harold Anchel
1936-1943
Gas House
Harold Anchel
c. 1935-1943
WPA lithograph of husband, wife and child
Harold Anchel
1936-1943
Six male figures along a fishing pier; many boats are in the water; the water has shades of blue in a mottled pattern; the sky has streaks of blue
Harold Anchel
1935-1939
A sketch showing a bound figure with a spiked crown in the top right, standing with two others. In the lower left, a group of men, some in caps, look up with open mouths and reach toward him. Based on the print Ecce Homo by Albrecht Durer.
Jiri Anderle
1982
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