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Woven in a double-cloth pattern with a plain field of brown with widely spaced thin stripes of white, red and black with a narrow border of red, top and bottom, and a border edging of red and black at the sides, ties at each corner.
Mantle
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Mantle

Maker Chancay Artist
Date1200-1450
Place of originChancay, Lima, Peru, South America
MediumCotton
Dimensions22 1/2 x 26 3/4 in. (57.2 x 67.9 cm)
ClassificationsClothing and accessories
Credit LineGift of Rick and Aase Thompson
Object number1996.38.2
Collections
Visual DescriptionWoven in a double-cloth pattern with a plain field of brown with widely spaced thin stripes of white, red and black with a narrow border of red, top and bottom, and a border edging of red and black at the sides, ties at each corner.
A border panel in tapestry weave, part of a larger context, the design elements consist of a sequence of baroque frets in yellow and brown with borders of yellow, black and red stripes above and below, red fringe at the bottom.
Chancay Artist
1200-1450
Rectangular strip; woven glass beads; white ground, red edges; "JOHANS LALOAN BUNAI" in black; blue and black pinwheel panels at ends; cord ties with tassels; tan canvas backing
Papua New Guinea
undated
Raffia fiber woven cloth, multiple panels hand-sewn selvedges; multi-strand twined and plaited, stem-stitched embroidery, enhanced with openwork and frilled edging; black, brown and blue geometric patterns (border = lo liyoongd’dy or chameleon’s footprint motif—see Joseph Cornet, Art Royal Kuba 1982); signs of wear on plain end panel.
Kuba Artist
late 19th-early 20th century
Apron
Tsonga Artist
late 20th century
Stirrup bottle with 2 cylindrical chambers sides slightly convex, joined by short tube in side, supported by flared footing, rings, long narrow tubular spout rises from center top of one chamber, male figure on to of other, squat body, arm at side, wearing large disk headband, connected to spout by thin stirrup loop; buff slip with dark brown pigment painted on most of vessel sides of chambers buff with thin diagonal brown lines and squiggly lines figure has brown on body and upper legs, feature…
Chancay Artist
1200-1450
Coarse hand-woven strips, stitch-resist dyed with indigo, hand-sewn at selvedges, hem of red and black factory cloth with orange rickrack edging, machine stitched in woven cloth.
Bamileke Artist
20th century
Figure made with woven fibers (probably wool, possibly camelid); large head with embroidery on face (pink) some loss of threads; features on face defined by black thread, possibly camelid wool; black threads for hair; white tunic with fringe; legs taper to two points, and are covered with pink and red patterned wool; threads seem friable and hair is tangled; stuffing seems to be bundled fiber.
Chancay Artist
1000-1450
Woman's sarong- rectangular strip hand sewn at ends to form tube; ikat-dyed cotton; main panel- red, yellow, and black design of voided diamonds and teardrop linked with flecked diagonal lines, all with curliques; occasional diamond centers of grey (blue dye over yellow); border bands of commercial red, yellow, green, blue, and black thread with ikat stripes between
Iban Artist
no date
Two lengths of cloth with white field with small black pattern of stars and central medallion of hand wearing wristeatch holding wrapped gift; border has red rosses and small medallions of green and red palm trees; insciption reads "Pokea Zawadi Ingawa Hafifu" [google translation: received the gift although weak]; side border inscription reads "Haharia-Zanzibar D. no. 1727."
Tanzanian Artist
2009
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