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A sepia-toned photograph overlooking a village of flat-roofed, multi-tiered adobe structures. Wooden ladders lean against the walls, and a large round pot sits in the foreground. Beyond the buildings, an expansive, flat plain stretches toward a distant plateau.
View in Zuni Looking S.E.
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

View in Zuni Looking S.E.

Artist John K. Hillers (American, born Germany, 1843 - 1925)
Datec. 1886
MediumAlbumen print
Dimensionssheet: 16 x 20 in. (40.6 x 50.8 cm)
image: 9 7/8 x 12 7/8 in. (25.1 x 32.7 cm)
ClassificationsPhotographs
Credit LineGift of Alleen K. and Carl Feiss
Object number1997.1.2
Collections
Visual DescriptionA sepia-toned photograph overlooking a village of flat-roofed, multi-tiered adobe structures. Wooden ladders lean against the walls, and a large round pot sits in the foreground. Beyond the buildings, an expansive, flat plain stretches toward a distant plateau.
A sepia photograph of multi-tiered adobe buildings with flat roofs and protruding wooden beams. Long wooden ladders lean against the exterior walls.
Southern Front of Zuni
John K. Hillers
c. 1886
Sepia-toned view of small village with barren landscape in the background, horizon line is two thirds up from the bottom edge.
From the Top of Zuni Looking East
John K. Hillers
c. 1886
Pueblo in semi-ruins on a Hopi Reservation in Arizona sits amid the open spaces, cloudless sky, and rocky terrain of the vast Southwest. A donkey carries a heavy load down a worn path, a man sits nearby.
Shipaulovi
John K. Hillers
c. 1886
A dense, sepia-toned print depicting a chaotic, highly detailed scene of fragmented towers, scaffolding, and bridges. The intricate composition is filled with ladders, flying debris, smoke plumes, and countless tiny figures swarming the sprawling, jagged structures.
Triumph of Death
Albin Brunovsky
1975
A child in a green shirt leans over a wooden boardwalk railing, holding small white flowers out over dark water. A lush, green marshy landscape with bushes and trees stretches into the background under a clear blue sky.
Bridge
Bea Nettles
1984
A black and white composite photograph of four interlaced hands gathered in the foreground. In the background, a dark mountain range stretches under a cloudy sky. Four uneven stones float in a line in mid-air above the distant peaks.
Untitled
Jerry Uelsmann
1989
A sepia-toned composite photograph of a symmetrical, multi-pointed shape made of overlapping, textured pieces resembling leaves or wood grain with reflected shimmers of light at the center. The figure lies flat on a dark ground scattered with grass, twigs, and wood chips.
Untitled
Jerry Uelsmann
1967
A black and white composite photograph featuring a three-tiered concrete base beside a calm body of water. A large, flat rectangular slab hovers suspended in mid-air directly above the base. The distant shore is tree-lined beneath a bright, cloudy sky.
Untitled
Jerry Uelsmann
1979
A black and white composite photograph of a reclining nude woman spanning the bottom foreground. Behind her stretches a dark body of water and a silhouetted horizon beneath a dramatic, heavily clouded sky.
Untitled
Jerry Uelsmann
1980
A child wearing a red jacket and cap and purple shorts stands at a beach, holding a green plastic bucket. Her shadow stretches to the left. Behind is a wooded landscape and blue sky.
Rachel and Green Bucket
Bea Nettles
1984
An arched colonnade rests on a solid wall, with a pointed tower and palm tree rising behind it. To the right sits a large tree and curved low wall. A dark shadow of a palm tree stretches across the brightly lit foreground.
St. Augustine II
Bea Nettles
1977
A print with light circular areas. The central circle contains a seated bearded man and a figure riding a dark dragon-like beast. A pale nude mustached man another partial nude figure stretches below, surrounded by smaller circles enclosing intricate, fantastical creatures and floating fragments.
A Tiny Part from the Rich Table of Nature II
Vladimir Gazovic
1970

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