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The Vision
The Vision
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

The Vision

Artist Mauricio Lasansky (American, born Argentina 1914)
Date1957
MediumIntaglio
Dimensions23 3/4 x 21 5/8 in. (60.3 x 54.9 cm)
ClassificationsPrints
Credit LineMuseum Collection, University Gallery purchase
Object numberPR-67-13
Collections
La Vision d'Elie (Elijah's Vision)
La Vision d'Elie (Elijah's Vision)
Marc Chagall
1956
Vision d'Esaie (Isaiah's Vision)
Vision d'Esaie (Isaiah's Vision)
Marc Chagall
1956
Vision d'Ezechiel (The Vision of Ezekiel)
Vision d'Ezechiel (The Vision of Ezekiel)
Marc Chagall
1956
Black and white, black lines, forms on white ground.
(Untitled)
Jimmy Ernst
c. 1982
Black and white, landscaped gardens, scattering of potted plants, statues, a monument and walkways, several trees on the left half, on the right in the background is a large building with awnings over the lower story windows.
Vizcaya
Leonard Lehrer
1969
Fantastical print of a woman's head within a landscape and bounded by a picture frame.
Judy a Jaimaiz
Dennis Rowan
c. 1969-1970
Black and white print of man on horseback in a schematic landscape.
Once Upon a Journey......
William N. Schaaf
1966
An abstract print featuring a figure with black triangles on its back crawling on their hands and knees on a ground covered with smaller figures. Two intricately lined vertical shapes rise above it. Above is a complex horizontal organic structure.
Erhako no hwo hwo tse ko hwo
Bruce Onobrakpeya
1976
Abstract print with textured teal areas flanking a central vertical textured purple area. A horizontal, jagged cluster of grey and white forms radiates outward across the middle.
The Nest
Denji Noma
1963
An abstract print featuring a sweeping, arched band of orange and yellow. The composition is filled with intricate, web-like cellular patterns set against a vibrant turquoise background.
The Indian Ocean
Denji Noma
1964
Collage-style print featuring a stenciled "A", red geometric shapes, a white heart outline, and handwritten papers against a textured, dark background. White tape forms an "X" above a black border reading "OPEN THIS END" in stenciled text.
Cooter
Conner Everts
1990
Abstract print divided horizontally. The large top section features dark, sweeping striations intersecting a lighter vertical area on the left. The narrow bottom band consists of lighter, densely layered brown and grey scratchy textures and blocky shapes.
Landscape
Valgerdur Hauksdottir
1993

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