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A faint outline of a four-legged sheep or goat facing right. To the left is an anatomical cross section of a man's reproductive organs. The animal has a similar anatomical cross section. Below is a dark horizontal rectangular band displaying a sequence of five embryos in progressive stages of development into a hybrid creature.
Shepherd's Dream
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Shepherd's Dream

Artist Herb Jackson (American, born 1945)
Date1968
MediumEtching
Dimensionssheet: 13 x 18 3/4 in. (33 x 47.6 cm)
image: 9 7/8 x 14 7/8 in. (25.1 x 37.8 cm)
ClassificationsPrints
Credit LineGift of Jane and R. Paul Larkin
Object number1992.1.4
Collections
Visual DescriptionA faint outline of a four-legged sheep or goat facing right. To the left is an anatomical cross section of a man's reproductive organs. The animal has a similar anatomical cross section. Below is a dark horizontal rectangular band displaying a sequence of five embryos in progressive stages of development into a hybrid creature.
A geometric abstract print with a dark blue border framing a bright orange center panel, flanked by pink vertical panels, above a red base containing a textured, rocky shape.
Herb Jackson
1974
A rectangular print divided into a grid of squares. The squares contain textural, cloudy forms in muted greys and off-whites. The mismatched tiles are rearranged, breaking the continuous patterns to create a disjointed, checkerboard composition.
Herb Jackson
undated
Shepherds of the Desert
Laura Gilpin
Negative: 1934; print c. 1971
View of mountain peak with rock formation in shape of cross.
William Henry Jackson
1873
Gossypium arboretum (Surinamese Cotton Tree) with the white and pink flower in various stages, along with two separate species of moths and their corresponding larva (caterpillar) and pupa (cocoon) stages.
Maria Sibylla Merian
1705
b - anatomical study of figure and snake and child
Kawanabe Kyosai
c. 1880's
Ornithogalum Longibracteatum
Pierre-Joseph Redouté
1817-1824
A multi-panel print. The top row has two dark portraits flanking a geometric grid over a sketched fetal figure. The wide bottom panel displays five heads in a row, featuring basic sketches, fragmented pieces, and exposed anatomical structures.
Jiri Anderle
1972
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