Skip to main content
Small cup with flat base, raised on a ring at edge, wall angles at base, then straight upwards with an outward slope to rim, interior is rounded at bottom; brown ware with traces of red slip, animal figure, probably monkey, on one side, head in full relief, lower legs and arms in bas-relief, arms upraised, hands at rim, face worn down, open circular mouth.
Cup with Monkey in Relief
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Cup with Monkey in Relief

Artist Chorotegan Artist
Date1-500
Place of originNicoya, Costa Rica, North and Central America
MediumCeramic, redware
Dimensions4 1/2 x 4 5/8 x 4 5/8 in. (11.4 x 11.7 x 11.7 cm)
ClassificationsSculpture
Credit LineGift of Irvin Ebaugh
Object numberC-74-68
Collections
Visual DescriptionSmall cup with flat base, raised on a ring at edge, wall angles at base, then straight upwards with an outward slope to rim, interior is rounded at bottom; brown ware with traces of red slip, animal figure, probably monkey, on one side, head in full relief, lower legs and arms in bas-relief, arms upraised, hands at rim, face worn down, open circular mouth.
Tall jar with small concave base wall rises rounded for lower third, straightens with slight inward taper to rim.  Three raised bands about 1/3 down adjoining bas relief monkey figure, head and arms displayed.  Two incised lines run horizontal above with double diagonal slashes at intervals.
Maya Artist
250-550
Period VI; brown ware with appliqued figure.
Small jar with wide, rounded base, slight concavity in middle - sharp curve up into wall that curves gradually inward - straight vertical raised rim, extending up to point on one side - hole in wall, 2/3 height, with raised broken area surrounding it, possible spout or handle.
Brown ware with traces of buff slip - applied effigy face on raised point of rim - circles for eyes, ridge with small poked nostrils for nose, ridges for upper and lower lips …
Diquis Artist
800-1550
Attachment areas evident for tripod legs, now broken off and missing. Black band aroundouter rim. Three black stripes around inner rim, panel ring of interlocking "I" geometric forms, three more black rings, anthropomorphic figure on bottom of dish, red with black outline, arms and legs upraised, single eye.
Costa Rican Artist
1350-1550
A carved fragment of veined, pale stone featuring a bas-relief of multiple interacting nude figures. The irregular, rough-edged sculpture is mounted upright on a simple, rectangular grey base.
José de Creeft
1943
Small bowl with spherical bottom supported by small conical tripod legs, bottom curves up into wall, angle break at 2/3 height.  Inward slope to rim, attached animal head, possibly monkey, at rim, bulbous ears, poked eye holes, curved mouth with receding jaw, curled tail on other side.  Buff ware with brown slip, incised rings around rim and above angle break, vertical lines inscribed in panel between with 4 wide "x" patterns interspersed.
Chorotegan Artist
1000-1550
Seated hand-fashioned female figure, large wedged nose extending from center of forehead to full lips, almond-shaped eyes, large earrings with white slip, pilled necklace, mantle around shoulders down to waist, small arms with hands attached to folded legs, heavy bracelets on arms; white, red, and blue traces of paint.
Maya Artist
550-830
Large globular jar with raised footing ring. Wall rises from ring curving gradually outwards to shoulder at 2/3 eight, curves inward to short raised rim.  Raised ridge ringing wall at 1/6 height.
Costa Rican Artist
1200-1550
Necklace consisting of numerous small flat stone disks with holes in center, interspersed with larger, thicker disks with rounded sides. Rectangular pendant with flattened sides, one carved into roughly anthropomorphic shape by crisscrossing lines to form head and arms at side.
Chorotegan Artist
100-500
Deep dish with rounded bottom, supported by long tripod legs, fire holes on each side of leg, with ends flattened and turned upwards to form curled snouts.  Angle break from base, wall rises vertical, flaring outwards on top half to rim.  Orange red slip on entire surface, legs blackened from oxidation.
Quiché Maya Artist
950-1200
Silver pendant with all four arms taking a circular form; each arm has a large silver circle in relief with intricately incised lines around it; on the outer rims of each arm are small circles; the center of the cross also has a circle in relief surrounded by four smaller circles; the pendant has a wired hinge that is attached to a triangular shaped finial that encloses 3 incised circles with 6 small circles on the outer rim; has ring for suspension
Ethiopian Artist
undated
null