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Three wood blocks stacked vertically create a totemic image of geometric forms and human forms, and mechanical forms.
Act 1, 1969
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Act 1, 1969

Artist Robert C. Skelley (American, born 1934)
Date1969
MediumWoodcut
Dimensionssheet: 34 x 13 1/2 in. (86.4 x 34.3 cm)
image: 32 1/2 x 7 in. (82.6 x 17.8 cm)
ClassificationsPrints
Credit LineGift of Southern Graphic Arts Circle
Object numberPR-75-50
Collections
Visual DescriptionThree wood blocks stacked vertically create a totemic image of geometric forms and human forms, and mechanical forms.
Three wood blocks stacked vertically create a totemic form of geometric, human, and mechanical forms; also, organic shapes like botanical forms.
Robert C. Skelley
1969
Three wood blocks stacked vertically form a totemic image of geometric, human, and mechanical images; some of cars, bowling pins, bicycles; cartoon like.
Robert C. Skelley
1969
Circular image- abstract, in orange, turquoise and black- of caricature-man flying.
Robert C. Skelley
1964
Untitled
Robert C. Skelley
1977
A color print of an elongated, tapering blue and rust-colored abstract figure standing vertically, textured with tiny marks. Dense clusters of small reddish-brown dots and thin, scratched lines surround the shape against a textured, pale yellow-orange background.
Robert C. Mueller
1992
A large, irregular black ink-like shape rises steeply from a thick horizontal black band. Below the band are three semi-circular black forms. Scattered black splatters, drips, and diagonal streaks surround the central shape.
Robert Motherwell
1970
A rust-orange abstract design on a golden-brown surface. It features a solid top circle nested inside three thick, upward-curving crescent shapes. Small, wavy hook-like forms stack vertically down the center line, bridging the gaps between the nested crescents.
Maud Cabot Morgan
1969
A whitish mist is divided vertically in half, mountainous forms come through the mist in three concentrated area: two on the left half and the largest area on the right half.
Jeff Joyce
1993
A symmetrical, saucer-like form constructed from a dense, intricate web of fine light lines set against a black background. The structure features stepped concentric rings that expand to a wide middle and taper to small points at the top and bottom.
Robert C. Mueller
1996
A rectangular print divided into a grid of squares. The squares contain textural, cloudy forms in muted greys and off-whites. The mismatched tiles are rearranged, breaking the continuous patterns to create a disjointed, checkerboard composition.
Herb Jackson
undated
A framed abstract print featuring interlocking, pixel-like geometric blocks in solid red, blue, pale yellow, black, and light grey.
Gilles Gheerbrant
1972
A print featuring a central square of interlocking, curved brown shapes. The shapes alternate between solid brown and a textured grid of small white dots.
Gilles Gheerbrant
1972
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