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Tubular rattle with one tapered end, the other with a small fire hole and 3 nubbins around the edge - 2 more fire holes in line along length, at thirds, with 2 nubbins extending from side perpendicular to each hole (one set broken off). Brown ware with white slip.
Rattle
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Rattle

Maker Costa Rican Artist
Dateundated
Place of originCosta Rica, North and Central America
MediumCeramic with white slip
Dimensions4 1/2 x 1 3/4 x 1 3/4 in. (11.4 x 4.4 x 4.4 cm)
ClassificationsMusical instruments
Object numberC-86-73
Collections
Visual DescriptionTubular rattle with one tapered end, the other with a small fire hole and 3 nubbins around the edge - 2 more fire holes in line along length, at thirds, with 2 nubbins extending from side perpendicular to each hole (one set broken off).
Brown ware with white slip.
Small rattle in form of a bird with spherical body with two ridges for wings and two nubbins for legs - firing hole between legs, large head with donut eyes, broad rounded beak with mouth wide open.
Diquis Artist
undated
Effigy figure with head, shoulders, and broken arm (leg?) stumps - circular mouth wide open, pointed jaw, coffee bean eyes, nubbins for ears - suspension loop at back of neck, hole at each shoulder - pipe mouthpiece extending perpendicular from body with tapered interior to hollow body.
Costa Rican Artist
1-500
Animal effigy, probably dog or other canine, triangular head, pointy snout with teeth apparently bared, poked holes for eyes, small nubbins for ears, angular neck attaching tubular body (broken) with a large hole at each shoulder.
Costa Rican Artist
1-500
Small jar with rounded bottom curving up into wall, rounding inward at 1/2 height, inward curve to outward flaring rim - two small nubbins, situated opposite each other just below rim, each with 3 small indented holes in a line with another indented hole on either side of nubbin.
Buffware with red slip - three pairs, evenly spaced, of painted vertical bands radiating from center of bottom up to rim.
Costa Rican Artist
undated
Small rattle in the shape of a gourd, spherical body with stem "cap" on one end, tapering to hooked end.  Four small slits punched in wall just below stem cap.
Costa Rican Artist
1-500
Roughly shaped globular whistle with four holes poked in one side in a square pattern - one end pinched to nipple shaped mouth piece with sounding hole on opposite side as note holes.
Costa Rican Artist
1200-1550
Cylindrical ceramic tube with one end open, the other pinched shut to a flattened nipple with a small hole poked through - whistle mouthpiece extending from side towards pinched end, with finger ridge underneath - note hole underneath towards open end.
Costa Rican Artist
1-200
Period IV (?); red-orange ware in black painted lines, surface like curridabot ware.
Small bowl with wide rounded bottom, gradual outward curve to 1/2 height, changing to inward slope to rim - small triangular nubbins attached just below rim on opposite sides with holes poked through for hanging, small pellet nubs placed between to quarter.  
Brown ware with red slip, black vertical lines surround the four nubbins, with diagonal slashes running below.
Costa Rican Artist
undated
A circular, dark brown clay whistle with a large central hole. The top surface features three evenly spaced, raised nodes with small holes, and is decorated with incised wavy lines and shallow circular indentations.
Costa Rican Artist
undated
Curridabot ware.
Small jar with wide rounded base, rounding up into wall sloping inward after 1/2 height - rim raises up and flares out - two small nubbins below rim on opposite sides with holes poked through at wall - possibly to hang from.
Brown ware with red slip.
Costa Rican Artist
c. 500-1000
Small pot with spherical bottom, rounding into wall curving outward to two thirds height, raised ridge around wall, then sloping inward to short raised neck and outward flaring rim; brown ware with red slip, two small attached figures of monkeys, head with one arm reaching to chin, other arm reaching to forehead, on opposite sides with small nubbins in between, inscribed diagonal lines on upper wall between monkeys and nubbins.
Costa Rican Artist
500-1000
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