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Side Street
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Side Street

Artist Beatrice Mandelman (American, 1912 - 1998)
Datec. 1940
MediumSerigraph on paper
Dimensions16 1/2 x 22 7/8 in. (41.9 x 58.1 cm)
frame: 24 5/8 x 29 1/4 in. (62.5 x 74.3 cm)
ClassificationsPrints
Credit LineGift of Richard H. and Jane Gale Heirs
Object number1998.25.1
Collections
Visual DescriptionPainted street scene. On the left, figures walk past a grey house, picket fence, and large tree. On the right, a vintage car is parked near a utility pole, a walking figure, and colorful green and yellow houses.


A street with a row of houses going down the hill; telephone poles, three women in the street; distant view of hills.
Beatrice Mandelman
1936-1943
Scene of houses along a road on a hill; dark sky and light suffused grey day.
Beatrice Mandelman
1936-1943
A railroad station with tracks, railcars, the station and a view of the neighborhood houses.
Beatrice Mandelman
1936-1943
View of corner diner; white side wall with green and yellow vertically striped front wall; one white car parked on the sidewalk; one blue car parked on the street next to the white car; sign reads "DINER" and below that "AIR CONDITIONED".
John Baeder
1980
An exterior shot of a deserted sidewalk and street with street lamp pole. A rough fence forms a barrier along the sidewalk for a house in the background somewhat shrouded by trees. Light comes from the street-lamp and from the house. It conveys a desolate feeling.
Todd Hido
1996
A man in a hat smoking a cigar walks past the foreground; the midground includes an Airstream trailer surrounded by a man fixing a fishing pole, a woman watering a tiny shell-bordered garden and kitschy pink flamingo ornament, a man washing his car, and a bird in a hanging cage; in the distance, another woman hangs laundry on a clothesline and palm trees tower above.
Stevan Dohanos
1951
A woman pushes a baby carriage/stroller/pram along a path in front of a picket fence bordering a modest house. A lush canopy of live oaks draped with Spanish moss overhead.
Ada Walter Shulz
undated
Painting of a village nestled in a valley beneath a dark, cloudy sky. Rolling, shadowed hills loom behind scattered buildings with steep roofs in orange, grey, and green. Utility poles line a curved dirt road in the foreground.
George Biddle
1937
Women walk on the street in front of and up the stairs to the Chase-Lloyd House, a three-story Georgian townhouse, in the Colonial Annapolis Historic District, built for Samuel Chase (1741–1811), a young lawyer and signer of the Declaration of Independence. The house is fenced-in and includes a garden with a large tree in the front yard; a figure enters/exists the main door.
Childe Hassam
1929
An off-white print featuring the poem "Another August" By James Merrill in orange text on the left. Beside it is a soft, sweeping sketch of tall trees and a tiny figure on a path, rendered in pale blue, green, and brown.
The poem reads:
Pines. The white, ochre-pocked houses. Sky unflawed. Upon so much former strangeness a calm settles, glaze of custom to be neither shattered nor shattered by. Home. Home at last. Years past—blind, tattering wind, hail, tears—my head was in those clouds that now…
George Lockwood
1968
A black and white photograph of a wedge-shaped building at a street fork, a fire escape on the left side. Wide stairs lead to an entrance with a "CIGARS" sign. The diverging streets are flanked by tall buildings and parked cars.
Catherine Opie
2001
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