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This diptych uses the image of a man as a central figure of a collage in both compositions. Other images include fragments of architectural blue prints and paintings of medieval figures. In addition the image of a rhinoceros appears in both pictures. The image is deceiving. Figures that appear to be adhered to the surface are actually part of the printed image.
Untitled
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Untitled

Artist Richard Heipp (American, born 1952)
Datec. 1990
MediumPrint
DimensionsEach: 35 1/2 x 26 1/2 in. (90.2 x 67.3 cm)
ClassificationsPrints
Credit LineGift of Michael and Allysa Peyton
Object number2011.73
Collections
Visual DescriptionThis diptych uses the image of a man as a central figure of a collage in both compositions. Other images include fragments of architectural blue prints and paintings of medieval figures. In addition the image of a rhinoceros appears in both pictures. The image is deceiving. Figures that appear to be adhered to the surface are actually part of the printed image.
A black and white image of a hand holding a thin tool measuring the space between a woman's eyes and chin. The image is overlaid with a translucent teal graphic of a frontal and side view of figures. Five small black icons—including a radiation symbol and skull—are arranged in a row below.
Germanic Guilt Series II
Richard Heipp
1993
A black and white image of a hand holding a thin tool measuring a person's head, seen from above. The image is overlaid with a translucent teal graphic of a frontal and side view of figures. Five small black icons—including a radiation symbol and skull—are arranged in a row below.
Germanic Guilt Series III
Richard Heipp
1993
Photos from Album of Korea 한국 앨범의 사진
Photos from Album of Korea
한국 앨범의 사진
Korean Artist 작자미상 作者未詳
1895-1905
A young woman kneels before what appears to be a person draped in a monk’s cowl but is actually a tree with outstretched branches. Figures in the background kneel and pray.
What a Tailor Can Do!/Lo que puede un sastre! (from Los Caprichos, plate 52)
Francisco de Goya
1796-1797
Study for one of six canvases in the mural series entitled "Art of the Negro", commissioned for the Trevor Arnett Library (in-situ) at Atlanta University (now Clark-Atlanta University), completed in 1952. The upper zone of the study is dominated by the figure of Shango, the spirit of lightning and thunder in contemporary Yoruba culture in western Nigeria. To the left of Shango, the brightly colored masked figures evoke images from ancient rock paintings in southwestern Africa. On the right of Sh…
Native Forms (study), from the series “Art of the Negro”
Hale Aspacio Woodruff
1950
Perception of the Lazy Eye
Perception of the Lazy Eye
Richard Heipp
1996
An abstract figure of a horse rendered in energetic brushstrokes and smudges of green, yellow, black, blue, and white. There are collages photographic images of a child and dog on the horse's head and figures in a landscape to the horse's right.
With the Wind
William N. Schaaf
1984 - 1986
Image on a crumpled sheet of paper appears to float on a splattered ink background.
Floating Cards
Joe Goode
1969
Image of Kongo power figure (nkisi) with enlarged naturalistic head, red collaged lips, and broken legs, rendered in watercolor, with paper cut out hands from fashion magazines emanating from the body of the figure, nails floating in space around figure, red ropes on either side, and a small figure of St. Michale (collage image); plinth of figure has dates 1869-1960. The figure is being pulled off its plinth.
Forgotten Gold, from Lost Tribe Series
Steve Bandoma
2011
A framed abstract print featuring interlocking, pixel-like geometric blocks in solid red, blue, pale yellow, black, and light grey.
Untitled (Red Tree)
Gilles Gheerbrant
1972
A print featuring a central square of interlocking, curved brown shapes. The shapes alternate between solid brown and a textured grid of small white dots.
Untitled
Gilles Gheerbrant
1972
A print featuring a purple and blue checkerboard background centered with an abstract, pixelated cluster of jagged shapes outlined in bright green and pink.
Untitled
Gilles Gheerbrant
1972

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