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Untitled
Untitled
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Untitled

Artist Roy C. Clark (American, 1889 - 1956)
Dateundated
MediumEtching on paper
Dimensions3 3/4 × 4 3/4 in. (9.5 × 12.1 cm)
ClassificationsPrints
Credit LineThe Florida Art Collection, Gift of Samuel H. and Roberta T. Vickers
Object number2020.18.322
Collections
Tradewinds Bar
Roy C. Clark
undated
Florida Landscape
Edith Clark Chadwick
undated
A color print of an elongated, tapering blue and rust-colored abstract figure standing vertically, textured with tiny marks. Dense clusters of small reddish-brown dots and thin, scratched lines surround the shape against a textured, pale yellow-orange background.
Robert C. Mueller
1992
Print of two elongated, tapering abstract figures standing side-by-side. The taller left figure is pale blue and tan with dotted textures. The right figure is dark with a dotted reddish-orange border. Thin, dotted lines curve across the top and bottom.
Robert C. Mueller
1992
A symmetrical, saucer-like form constructed from a dense, intricate web of fine light lines set against a black background. The structure features stepped concentric rings that expand to a wide middle and taper to small points at the top and bottom.
Robert C. Mueller
1996
A highly textured print featuring a central domed disc shape surrounded by a dense, static-like field of chaotic, scratchy marks. The border is marked along the sides by the letters A-H and top and bottom by the numbers 1-10.
Robert C. Mueller
1996
A nude man and woman, Adam and Eve, hold fruit from a tree (likely an apple), while a large snake wraps around a tree branch and a large cat/dog lies on the ground; one of 35 original lithographs in a spiral bound portfolio.
Everett C. McNear
1954
Florida Scene
C. E. Shaw
undated
Harbor Scene-Key West
Walter C. Yeomans
undated
Three wood blocks stacked vertically create a totemic image of geometric forms and human forms, and mechanical forms.
Robert C. Skelley
1969
Three wood blocks stacked vertically create a totemic form of geometric, human, and mechanical forms; also, organic shapes like botanical forms.
Robert C. Skelley
1969
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