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A black and white print centered on light paper showing a shadowed figure in a patterned dress standing next to horizontal blinds. A small table with a teapot and cup is in the lower right. Handwritten text below reads "The morning."
The Morning
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

The Morning

Artist David Bumbeck (American, born 1940)
Dateundated
MediumEtching
Dimensionssheet: 15 x 11 3/16 in. (38.1 x 28.4 cm)
image: 8 7/8 x 5 13/16 in. (22.5 x 14.8 cm)
ClassificationsPrints
Credit LineGift of Jane and R. Paul Larkin
Object number1992.1.7
Collections
Visual DescriptionA black and white print centered on light paper showing a shadowed figure in a patterned dress standing next to horizontal blinds. A small table with a teapot and cup is in the lower right. Handwritten text below reads "The morning."
A dark print centered on light paper, depicting a nude torso with an arm raised across the chest. Faint, pale decorative elements resembling stylized, stacked columns and an ornate curved top piece frame the central image.
Dendeniare
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Several abstract two-dimensional shapes.
untitled
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A woman in Victorian dress leans over a table/desk speaking to a man in a chair holding a pen; an open safe and a portrait on the far wall of the office; an open door shows a book open on a desk beyond the office; text below reads, "Now, Really Mr. Smith - You Must Know That We Can't Do Business on That Basis". Study for illustration in Frank Marshall White's "The Crusade against the Loan Sharks," Munsey's, November 1913.
Now, Really Mr. Smith - You Must Know That We Can't Do Business on That Basis
John Sloan
1909
realistic image of elephant's head in profile with raised trunk, smoking a cigarette, on a flat blue background; inscription on painting reads: I will stop smoking because it kills gradually-white letters shadowed in red and black. Signature on lower left comer reads: Kwame Akoto Almighty God Artworks, Kwnasi 011 lower right corner.
Elephant (smoking series)
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An off-white print featuring the poem "Another August" By James Merrill in orange text on the left. Beside it is a soft, sweeping sketch of tall trees and a tiny figure on a path, rendered in pale blue, green, and brown. The poem reads: Pines. The white, ochre-pocked houses. Sky unflawed. Upon so much former strangeness a calm settles, glaze of custom to be neither shattered nor shattered by. Home. Home at last. Years past—blind, tattering wind, hail, tears—my head was in those clouds that now…
Another August
George Lockwood
1968
A color etching caricature showing a hunched large mouse riding a donkey along a dirt path. The figure wears a blue coat and light trousers. To the left, a wooden gallows structure stands on the grass. Words on the gallows read "Let desert mount." The bottom caption reads: "AHITHOPHEL in the Dumps. And when Ahithophel saw that his counsel was not followed, he saddled his Ass, and arose and went & hanged himself. &c."
Ahithophel in the Dumps
James Gillray
c. 1785
A black and white etching depicting numerous figures gathered around a long table inside a colonnaded room. Several people pack large chests on the floor. A small dog stands nearby. French text is printed at the bottom reads: ""Un Pere que les ans accablent de douleurs / Comblant son fils de biens, le comble de malheurs. / Cum privilege Reg. Israel excudit".
The Prodigal Son
Jacques Callot
c. 1624
A black and white etching of figures gathered around a round table outdoors beneath trees. Some play music and dance, while pitchers and basins rest on the ground in the foreground. French text is printed at the bottom reads: "Dans les charmes du vin et de la volupté / Ce prodigue se perd en sa brutalité / Cum privilege Reg. Israel excudit."
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c. 1624
A black and white print of a busy courtyard. People work with livestock, including a man raising an axe over an animal. Others gather around a table. Stone buildings, a round tower, and an archway surround the scene. At bottom French text reads: "Le Pere a ce retour fait tuer le Vieau gras, Nespargnant pour son fils ny Ses soings ny ses bras. Cum privilege Reg. Israel excu"
The Prodigal Son
Jacques Callot
c. 1624
A black and white print of a bustling courtyard. People converse, hold fabric, and unpack trunks. On the right, figures gather around a long table while a man plays a horn. A horse stands on the left. At bottom French text reads: "Si tost qu'il entre au port au Sortir du naufrage, On le traitte on l'habille, on fait Son equipage. Cum privilege Reg. Israel excu."
The Prodigal Son
Jacques Callot
c. 1624
Black and white print of a banquet. Guests dine at a table under a colonnade while servants carry dishes up steps. Musicians play on a background balcony. A monkey sits in the foreground. At bottom French text reads: "Pour le mieux resjouir, au festin magnifique Que Son Pere luy fait, est iointe la musique. Cum privilege Reg. Israel excu"
The Prodigal Son
Jacques Callot
c. 1624
A black and white print of a shoeshine stand. Two men sit in raised chairs while workers on low stools shine their shoes. Another man stands leaning nearby. A sign on the right reads "5¢".
The Boss
David Feinstein
1936-1943

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