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A dark print centered on light paper, depicting a nude torso with an arm raised across the chest. Faint, pale decorative elements resembling stylized, stacked columns and an ornate curved top piece frame the central image.
Dendeniare
Courtesy of the Harn Museum of Art, Photography by Foad Seyed Mohammadi

Dendeniare

Artist David Bumbeck (American, born 1940)
Dateundated
MediumColor etching
Dimensionssheet: 13 7/8 x 12 in. (35.2 x 30.5 cm)
image: 7 13/16 x 6 5/16 in. (19.8 x 16 cm)
ClassificationsPrints
Credit LineGift of Jane and R. Paul Larkin
Object number1992.1.6
Collections
Visual DescriptionA dark print centered on light paper, depicting a nude torso with an arm raised across the chest. Faint, pale decorative elements resembling stylized, stacked columns and an ornate curved top piece frame the central image.
A black and white print centered on light paper showing a shadowed figure in a patterned dress standing next to horizontal blinds. A small table with a teapot and cup is in the lower right. Handwritten text below reads "The morning."
The Morning
David Bumbeck
undated
Several abstract two-dimensional shapes.
untitled
David Bumbeck
c. 1964
Ceramic Vessel with polychrome
Ceramic Vessel with polychrome
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A print of a delicately smiling woman overlaid onto an antique handwritten ledger with columns and ornate calligraphy. A dense, chaotic mass of dark, organic lines obscures her lower torso, heavily intermingling with the vintage script.
Madame Henriette and Receipt
Jiri Anderle
1986
The emphasis on the smooth sensuous surface, fluidity of lines and the attention to detail are all typical elements of the eighteenth century carving tradition. Fashioned of a pure white jade, the citron is entwined with leaves and accompanied by a bat and a peach. The long delicately carved tendrils bend gracefully at the tips, resembling Buddha's hand in the classic position. The citron symbolizes wishes for longevity as well as wealth, since it illustrates the gesture of grasping money. The …
Finger Citron and Peach Group
Chinese Artist
18th-19th century
A round plate with a reddish-orange rim features a painted scene. In the upper register, a blue-skinned figure stands beside a light-skinned figure. Below, three figures in red robes stand side-by-side. Stylized green columns or foliage frame the scene.
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Indian Artist
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Two panels (handsewn together with red silk) in fine spun wool dyed black with heavy embroidery at the four corners in gold thread, yellow, green, red, blue silk. Embroidered patterning consists of geometric motifs resembling an architectural setting (gables and columns) or a jeweled crown with pendants; along the borders, linking the heavy inlay at the corners are small silk crosses in the above-mentioned colors. Fringes at either end are made of twisted silk threads in red, orange, mauve, gree…
Woman's Wedding Cloth
Amazigh Artist
20th century
A print centered on a dense, chaotic cluster of overlapping thick black lines. A faint horizontal line crosses near the top edge beside the number. The surrounding area contains light diagonal lines resembling folds in paper and scattered dark smudges.
Sign IV
Jiri Balcar
1962
A sepia-toned duplicate photograph of a sculpture gallery. Several sculptures stand on pedestals at the left and right foreground. Behind them are plants and fluted columns that frame the central sculpture in the background. The glass ceiling lets in natural light.
[Sculpture gallery]
Unknown
undated
Bell is divided into sections which are reminiscent of the piece-mold technique of seaming the elements of the bronze bells together, seen on this jade bell as design elements. This archaistic bell is of greenish-gray jade with russet inclusions. In our opinion this archaistic bell expresses the refinement of design and technical workmanship of the late Song to early Ming period.
Archaistic Bell
Chinese Artist
Song Dynasty (960-1279) or later
Monochromatic print of architectural reliefs. An ornamented archway sits below a bearded figure holding an orb against radiating lines. Short decorative columns with spiral capitals flank the central design, all topped by a patterned horizontal band.
Tlalmanalco III
Leonard Lehrer
1975
Woman standing between columns of the Parthenon with outstretched arms. Figure is centered at bottom 1/5 size.
Isadora Duncan at the Portal of the Parthenon, Athens
Edward Steichen
1920 (edition 1981)

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