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Seated male figure with legs crossed in front, hands on knees hollow cylindrical body with opening at top of headdress good proportions to figure, good modeling of features, wears  large ornamental headdress, ear spools, necklace with large pendant and bracelets.

White pigment on part of the face and body, also at spots in headdress and pendant.
Seated Companion Urn
Courtesy of the Harn Museum of Art, Photography by Randy Batista

Seated Companion Urn

Maker Zapotec Artist
Date300 - 500
Place of originValley of Oaxaca, Oaxaca, Mexico, North and Central America
MediumWhite-slipped ceramic with traces of cinnabar
Dimensions18 x 11 3/4 x 10 3/4 in. (45.7 x 29.8 x 27.3 cm)
ClassificationsFurnishings and Equipment
Credit LineGift of Mrs. A. H. Spivack, in memory of Dr. A. H. Spivack
Object numberC-80-12
Collections
Visual DescriptionSeated male figure with legs crossed in front, hands on knees hollow cylindrical body with opening at top of headdress good proportions to figure, good modeling of features, wears large ornamental headdress, ear spools, necklace with large pendant and bracelets.

White pigment on part of the face and body, also at spots in headdress and pendant.

Monte Alban IIIA phase
Small solid figurine of seated male with crossed legs and arms, hands on opposing elbows. Wears skirt with long loin cloth, tubular necklace with large shell pectoral, body hand formed, head mold-made, finely detailed with raised mat design on face, large ear spools, high elaborate headdress, has goatee; reddish-brown clay with fragments of white slip.
Maya Artist
550-830
Mold-made hollow figurine of fat male, possibly a dwarf, sitting cross-legged with hands placed on abdomen, wears shirt with long loin cloth extending underneath legs. Large ear spools, huge headdress covered with small clay pills, lateral crest ridge with three large disks at top and sides, whistle in back bottom. Yellow pigment on upper face and body, blue pigments on shirt and loin cloth.
Maya Artist
700-950
Head of a finely carved Bodhisattva with arched brows, elongated eyes, broad nose, and full lips. Wearing jeweled headdress held in place by a ribbon.
Chinese Artist
Northern Qi or Sui Dynasty, late 6th Century
Small hollow dome with human face on one side.  Raised mouth area with sunken cheek and eye region.  Mouth is incised slit; nose is raised ridge with large pills of clay for nostrils.  Eyes inscribed with wide t-shape design, ear spools shown, large headdress runs as ridge laterally across head, red clay with light brown slip.
Maya Artist
700-850
Jar in shape of male figure, flat bottom, arms rise up from wall with hand at chest, wide collar, large ear spools, spout in shape of headdress band with animal face at forehead.
Moche Artist
Early Intermediate period, 300-500
Standing male figure with thick legs, knees incised, wearing a tunic with fringed border, wide necklace, arms raised to side of head, holding circular objects (ear spools?), wide face, angular eyes, large ornate headdress, semicircular with incised design of dots and scallops.
Sican artist
1000-1476
Seated male figure with knees bent and feet placed in front. Arms raised, holding dish on left and scepter on right. Elongated head, good modelling of features, wearing headgear with raised central crest. Body is thick, arms and legs are tubular. Black pigment indicating garment (shorts) around waist and hips. Linear black pigment design in angular spiral on scepter head. Black pigment on headgear. Body, arms, and legs in red pigment.
West Mexican Artist
1-200
Epa headdress surmounted by a bearded equestrian figure with four small figures at the sides, wearing a large complex cap, with pigments, and a good patina.
Yoruba Artist
20th century
Seated hollow figure with red and white slip, large head with hole in top of crown, bowl-type headdress, broad face with coffee bean eyes, small protruding nose with nose-ring, small slit mouth, low small ears, black and orange striations, black dendritic marks, long thin boneless crossed arms resting on knees of heavy bent legs, blunt feet.
Mexican Artist
100 BCE-200 CE
Ortices phase, standing male figure holding large, arched shield that covers all of body, upraised hand holds club, head is wrapped in bands of material-design, crossing over forehead, extending across chin, headdress extends upwards, flares out in circle with multiple lobes, check pattern (sunflower?) in middle.
Mexican Artist
300 - 100 B.C.
Buff clay bearded ball player wearing short pants, elaborate headdress with scarifications over deltoid regions of shoulders.
West Mexican Artist
1-200
Carved stone head representing a jaguar; round face with extension of neck in back, features cut and grooved into smoothed surface.  Wide mouth, teeth showing with large incisors; nose indicated by two grooves, large donut-shaped eyes, stubby feline ears, low and rounded.  Traces of red pigment in grooved areas and pits of limestone.
Olmec Artist
800-1000
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