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Realistically formed inside and out as a clam shell, each side engraved with a large central flower head encircled by a border of eight foliate lobes surrounded by leafy foliate scroll, all reserved on a ring-punch ground, the hinged area engraved with feathers bearing traces of gilding
Parcel-gilt Shell-shaped Silver Box 銀鎏金蚌形盒
Courtesy of the Harn Museum of Art, Photography by Randy Batista

Parcel-gilt Shell-shaped Silver Box 銀鎏金蚌形盒

Artist Chinese Artist
DateTang dynasty (618-907)
Place of originChina, Asia
MediumSilver
Dimensions7/8 x 1 1/2 x 1 5/16 in. (2.2 x 3.8 x 3.3 cm)
ClassificationsSculpture
Credit LineBequest of Dr. David A. Cofrin
Object number2009.48.71
Collections
Visual DescriptionRealistically formed inside and out as a clam shell, each side engraved with a large central flower head encircled by a border of eight foliate lobes surrounded by leafy foliate scroll, all reserved on a ring-punch ground, the hinged area engraved with feathers bearing traces of gilding
Bibliography
Ink Stone
The compressed body raised on four shallow ruyi supports and painted in gilding with bands of lotus sprays and fretwork set within multiple decorative borders, all reserved on a deep coral ground continuing onto the base, the interior covered in a rich matte turquoise glaze
Chinese Artist
Qing dynasty (1644-1911), Qianlong period (1736-1795)
Long-tailed bird in flight; holding leafy branch from it's beak which trails underneath it's body; the design is punched from the ungilt reverse side.
Chinese Artist
Tang Dynasty (618-907), 8th century
Tall bowl with flat bottom, rounded lower wall formed into nine lobes, rising into straight, vertical wall; upper frieze of four inscribed face glyphs separated by vertical lines, three wide inscribed bands below, vertical inscribed lines between each lobe.
Maya Artist
600-700
The Buddha of Infinite Life seated on a platform throne holding a vase surrounded by a flaming mandorla.
Chinese Artist
Qing dynasty (1644-1911), 1770
Goddess figure wearing an elaborate robe.  Hands holding a symbol in front of her.
Chinese Artist
Qing dynasty (1644–1911), 17th century
A ceramic whistle featuring two bulbous, tan lower lobes and reddish-brown arms that angle upward to meet at a single top opening, leaving a central hole. Dark brown painted circular designs decorate the lower lobes.
Panamanian
undated
Eight-armed, three-headed, seated bodhisattva on the lotus throne set upon a rock formation with gilt mandorla.
Japanese Artist
18th century
Forged curved blade with blunt end, and cast brass handle; cut out depiction of a chameleon on the inner curve, and cross cut-out in center of blade, with words engraved above: MK Balogu; Kent I of AL on one side and 23. 9 47 XX   MK Balogu AL on the opposite side. Engraved images of fish, serpents and possibly a frog, with borders of small circles. Edge of blade has rings, possible for attaching crotal bells (now missing).
Fon Artist
20th century
The sides cast with various auspicious emblems, flowers and fruit sprigs and a butterfly, the base with Hu Wenming mark, wear to gilding
Hu Wenming
17th century
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