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The gnarled leafy branches forming the base, with two bats in flight, with some added russet accents
Peach
Courtesy of the Harn Museum of Art, Photography by Randy Batista

Peach

Artist Chinese Artist
Date18th-19th century
Place of originChina, Asia
MediumJade
Dimensions4 3/4 x 5 1/8 x 3 1/2 in. (12.1 x 13 x 8.9 cm)
ClassificationsSculpture
Credit LineBequest of Dr. David A. Cofrin
Object number2009.48.37
Collections
Visual DescriptionThe gnarled leafy branches forming the base, with two bats in flight, with some added russet accents
Carved in relief with leafy gnarled branches and two birds in flight
Chinese Artist
18th century
well carved as two fleshy peach fruit borne on a knotty leafy peach stem extending around the sides, with two bats, the pale green stone with brown skin overall.
Chinese Artist
Qing dynasty (1644-1911), 18th century
The rounded pebble in the form of a nesting quail with head turned towards its back surrounded by a long leafy millet spray, carved overall with detailed overlapping feathers, the stone of deep celadon tone with brown accents
Chinese Artist
18th-19th century
Sanduo Carving
Chinese Artist
Qing dynasty (1644-1911), 18th-19th century
Of circular form, well-carved with two loop handles suspending rings formed from a pair of bats on either side of a ruyi-shaped terminal, the body carved in light relief with two pairs of diffused and stylized dragons and supported on four small scrolled feet, the stone of even white tone.
Chinese Artist
Qing Dynasty (1644-1911), Qianlong period (1736-1795)
A fine jade group of a pair of pomegranates worked in low relief with a bat and insect, the stone a subtle pale celadon green tone with russet markings
Chinese Artist
18th-19th century
Of compressed globular form, finely carved with 'rope twist' strapwork around the body forming a pattern of lozenge-shaped panels on an otherwise plain ground, the stone of celadon tone with faint russet and white inclusions
Chinese Artist
18th-19th century or later
The miniature cup in the form of a peach, carved through the cinnabar lacquer on the floret-diaper ground and below a keyfret border with three green branches forged to the surface, each issuing smaller branches with blossoms and flowering buds, further carved with a butterfly to the side, the interior lined with silver, with a cylindrical fitted ivory box, inscribed j iusitang to the flattened cover
Chinese Artist
Qing Dynasty (1644 - 1911)
The recumbent animal holding in its beak a leafy branch of blossoming lotus bloom enclosing a stylized shou medallion, the elaborately patterned wings swept back close to the body, the underside detailed with billowy waves, the stone of even tone with russet skin highlights.
Chinese Artist
17th-18th century
Of tapering globular shape, carved with two layers of eight lotus petals rising from the shallow, pedestal foot, with angular spout, curved handle and plain, straight-cut neck rising from the rounded shoulder, the cover carved as a lotus pad with a four up-turned leaves centered by a mandarin duck holding a lotus spray in its beak, some russet flaws and pale inclusions
Chinese Artist
Ming dynasty (1368-1644)
A white porcelain cup with flared sides featuring blue decoration. The exterior shows painted abstract floral motifs with delicate leaves and dark accents. Two horizontal blue rings encircle the base.
Chinese Artist
Ming dynasty (1368-1644)
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