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The well hollowed vessel carved in shallow relief with four bands of archaistic designs, including confronted C-scrolls, taotie masks separated by a taotie mask carved in high relief, bosses and mask-filled blades, all divided by rope twist borders and positioned above a phoenix and a dragon confronted on a vertical, keyfret band with a scrolling bird-like tail rising off center up one side from a pattern of intertwined swirls carved in a flat base, the stone of pale grayish brown color suffused…
Archaistic Rhyton
Courtesy of the Harn Museum of Art, Photography by Randy Batista

Archaistic Rhyton

Artist Chinese Artist
DateMing dynasty (1368-1644)
Place of originChina, Asia
MediumJade
Dimensions6 1/4 x 3 1/2 x 1 5/8 in. (15.9 x 8.9 x 4.1 cm)
ClassificationsSculpture
Credit LineBequest of Dr. David A. Cofrin
Object number2009.48.283
Collections
Visual DescriptionThe well hollowed vessel carved in shallow relief with four bands of archaistic designs, including confronted C-scrolls, taotie masks separated by a taotie mask carved in high relief, bosses and mask-filled blades, all divided by rope twist borders and positioned above a phoenix and a dragon confronted on a vertical, keyfret band with a scrolling bird-like tail rising off center up one side from a pattern of intertwined swirls carved in a flat base, the stone of pale grayish brown color suffused with darker brown veining.
Of compressed zun form, the sides carved in shallow relief with two pairs of confronted dragons contained within keyfret borders, below four raised keyfret-incised flanges which divide the shoulder and interrupt a band of dots above, the widely flared neck encircled by two bowstring bands and carved on the interior with three grooved lines, intentionally altered to a blackish color with areas of the pale gray stone showing through, minor rim chips.
Chinese Artist
Song dynasty (960-1279)
With upright cylindrical sides raised on three monster mask feet, carved on one side with a broad taotie mask flanked by an angular strapwork dragon and phoenix confronting on the reverse, between bands of archaistic motifs, the gray stone striated with deep brown and gray
Chinese Artist
18th-19th century or later
Carved with archaistic motifs
Chinese Artist
19th century
Of fang-gu form, the central section, well carved on each rounded side with a taotie mask, between leaf tip blades infilled with dense geometric motifs, the fitted, angled cover with rectangular knop, the stone of greenish yellow with splashes of taupe
Chinese Artist
Qing dynasty (1644 - 1911), 18th century
The bowl carved in archaistic style on each side with broad taotie masks on a leiwen ground, divided by dragon heads issuing loop handles, the domed cover with matching motif below a stepped knop, the thick white stone with a pale cloudy amber patch in the interior of the bowl
Chinese Artist
Qing dynasty (1644 -1911), 18th century
Well-hollowed with columnar corners and well-carved around the exterior with a wide band of numerous thin dragons, their finely incised scaly bodies intermeshing around the sides, above archaistic pendant leaves around the rounded corners, tapering sharply to the hollowed pad feet, two side with a ji character, the other two side with winged phoenix-form handles, the fitted cover of conforming shape with a central reticulated dragon-form knop, the claw on and extending to the four corners, the g…
Chinese Artist
Qing dynasty (1644-1911), 18th century
The deep, rounded sides carved on the exterior in shallow relief with a petal frieze pendant from a narrow rope-twist border at the rim, each petal incised with three vertical striations, the whole raised on a tall oval foot encircled by a bowstring band and with a raised border at the foot rim, the softly polished, semi-translucent stone of mottled grayish color
Chinese Artist
Song and Yuan dynasty (960-1368)
Each of barrel form, carved around the sides with a pair of descending confronted foliate dragons flanked by large monster mask and ring handles, between lappets encircling the foot and pendant ruyi lappets at the rim, the undersides inscribed with a Qianlong four-character mark within a double square, the translucent metal of bright reddish orange
Chinese Artist
18th-19th century or later
Raised on three monster mask and claw feet, well carved around the sides with three spaced foliate masks, interrupted by two horned monster mask handles suspending loose rings, the fitted, domed cover with matching decoration, encircling the hollowed ring knop with three tubular tabs, the dark green stone with typical black inclusions and white rivering.
Chinese Artist
18th-19th century
Carved as a crouching animal with extended head held forward with rounded snout and long ears held back, opposite a short tail, one side with a bitong enframed by cloud ribbons extending on to the underside, carved with cloud swirls, the green stone suffused with white and with russet splashes
Chinese Artist
18th-19th century or later
Carved in low relief with taotie around the base and archaistic scroll around the shoulder
Chinese Artist
18th-19th century
Of swelling ovoid form, decorated with dense frieze of numerous mythical animals interweaving amid interlocking scrollwork, above a further smaller band of hooked scrolls, volutes and masks, the greenish gray stone suffused with white and black rivering overall.
Chinese Artist
Qing dynasty (1644 -1911), 17th-18th century
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