Skip to main content
Advanced Search
Naturalistically and finely carved as a pair of catfish coiled end to end, each with round eyes and long whiskers, above spiraling and swirling waves, the stone of even white tone suffused with small areas of russet
Twin-Fish Group
Courtesy of the Harn Museum of Art, Photography by Randy Batista

Twin-Fish Group

Artist Chinese Artist
Date18th century
Place of originChina, Asia
MediumWhite jade
Dimensions1 1/8 x 3 x 2 9/16 in. (2.9 x 7.6 x 6.5 cm)
ClassificationsSculpture
Credit LineBequest of Dr. David A. Cofrin
Object number2009.48.31
Collections
Visual DescriptionNaturalistically and finely carved as a pair of catfish coiled end to end, each with round eyes and long whiskers, above spiraling and swirling waves, the stone of even white tone suffused with small areas of russet
Buffalo carved in a recumbent position with its forelegs tucked underneath and tail coiled to the front, with incised lines to depict details on the horns, tail and hooves, the stone of even white tone with areas of russet and black speckling highlighting the carving
Buffalo
Chinese Artist
18th century
Of elongated form, slightly rounded on each side, with one end rounded opposite a pierced circular aperture, the green stone finely suffused with white in areas
Archaic Pendant
Chinese Artist
Neolithic Period or later
The recumbent animal holding in its beak a leafy branch of blossoming lotus bloom enclosing a stylized shou medallion, the elaborately patterned wings swept back close to the body, the underside detailed with billowy waves, the stone of even tone with russet skin highlights.
Mandarin Duck
Chinese Artist
17th-18th century
Finely carved with its head turned back over its wings folded back and incised with archaistic decoration, a long leafy lotus spray trailing from its beak, the underside detailed with webbed feet, the stone of even tone.
Recumbent Duck
Chinese Artist
18th century
Carved from black-flecked, gray stone shading to buff with areas and veins of russet coloring in the form of a rectangular block surrounding a hollowed cylinder extending beyond the sharp triangular shoulders at either end to form a collar, the interior showing evidence of having been carved from both ends
Cong
Chinese Artist
Western Zhou dynasty (c. 1050-771 BCE)
The massive stone well carved as a pair of recumbent fu lions turned to face each other, a beribboned brocade ball trailing from one of the lion's closed jaws, the 'snail' curled mane trailing over each lion's back to meet the bushy tails, one small cub poised on the back, the underside detailed with clawed feet, the stone of celadon tone with patches of russet highlights
Buddhistic Lion Group
Chinese Artist
17th-18th century
The recumbent ram finely carved in gently rounded form with its head turned to the side, flanked by two young tucked along its side, the stone of even celadon color with grey streaks
Ram Group
Chinese Artist
18th century or later
The graceful greyhound shown in a recumbent position with forepaws crossed and back legs tucked beneath the body, with long ears and coiled tail, one end of the long, bell-hung ribbon tied around the arched neck trailing beneath the belly, the slender body carved with pronounced ribs and backbone, the stone well polished and of even white tone.
Hound
Chinese Artist
Qing dynasty (1644-1911), 18th-19th century
Shown with head arched back and resting on its body, some small chips to wings and tail feathers
Recumbent Phoenix
Chinese Artist
Song and Ming dynasty (960-1644)
Carved with a pair of intertwined archaistic dragons along the shaft, the stone suffused with russet sections to one side
Belt Hook
Chinese Artist
18th-19th century
Carved as a recumbent lion, its paw resting on a brocade ball and head turned to one side, its long ears laid back flanking tufts of hair falling on either side of the ribbed backbone, opposite the tail flicked to one side, accompanied by a cub, the stone of mottled, black brown and white tones
Buddhistic Lion Group
Chinese Artist
18th-19th Century or later
The vessel with a pair of deeply undercut and high relief chilong handles, each animal with finely rendered details and clutching the vessel lip, the stone suffused with dark brown veining throughout
Bowl
Chinese Artist
Song and Ming Dynasty (960-1644)

Collections research is ongoing. Information provided on the Harn’s website about collection objects may be updated, revised, or enhanced at any time.

Harn
Copyright © Harn
null