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cleverly carved using the natural inclusions of the stone, its head turned to one side, its combed mane trailing over its ribbed back, opposite the tail flicked to one side, the underside detailed with padded paws, the stone of mottled brown, beige and white tones
Crouching Beast
Courtesy of the Harn Museum of Art, Photography by Randy Batista

Crouching Beast

Artist Chinese Artist
DateMing dynasty (1368-1644)
Place of originChina, Asia
MediumWhite, beige and mottled brown nephrite
Dimensions1 x 2 9/16 x 1 3/16 in. (2.5 x 6.5 x 3 cm)
ClassificationsSculpture
Credit LineBequest of Dr. David A. Cofrin
Object number2009.48.286
Collections
Visual Descriptioncleverly carved using the natural inclusions of the stone, its head turned to one side, its combed mane trailing over its ribbed back, opposite the tail flicked to one side, the underside detailed with padded paws, the stone of mottled brown, beige and white tones
Carved as a recumbent lion, its paw resting on a brocade ball and head turned to one side, its long ears laid back flanking tufts of hair falling on either side of the ribbed backbone, opposite the tail flicked to one side, accompanied by a cub, the stone of mottled, black brown and white tones
Chinese Artist
18th-19th Century or later
Shown in a recumbent position with head resting on its front paws and tail tucked under the body, with bulbous eyes, floppy ears, slightly knobby backbone and scrolls outlining the haunches, the stone of pale yellow, pale brown and dark brown color.
Chinese Artist
Yuan and Ming dynasty (1279-1644)
cleverly using the natural inclusions to depict a large recumbent horned ram, its head turned to one side and spewing forth a cloud vapor and yinyang medallion, accompanied by two young rams.
Chinese Artist
Ming dynasty (1368-1644)
Well carved along the natural curves of the stone, the head turned towards the back, the face framed by long locks of gently incised mane, seated on its haunches with its tail swished to one side, the underside well detailed hooves, the stone of white tone with dark brown highlights
Chinese Artist
Ming dynasty (1368-1644)
This ear cup reflects the Song period's profound interest in history in its characteristic design found in jades of the late Han period (206BC-AD220). The thinly worked oval cup has two flat handles projecting just below the rim at the longer sides, resting on an oval base with a raised foot ring. The highly translucent yellow jade possesses darker russet brown inclusions creating a desirable "skin" throughout the cup. The ear cup is of a fine, smooth polish. In our opinion, this ear cup is a fi…
Chinese Artist
Qing dynasty (1644-1911) or later
The beast well carved standing four square with the head turned to one side with a boy clambering over its back clasping a lotus sprig, the white jade with brown inclusions
Chinese Artist
Qing dynasty (1644-1911) or later
Of pale greyish-green stone, the standing elephant carved with head turned back, its trunk between its tusks meeting at the tips, its tail flicked forward on its right hind leg, its floppy ears and wrinkled skin well delineated
Chinese Artist
Ming dynasty (1368-1644)
Finely carved with its head turned back over its wings folded back and incised with archaistic decoration, a long leafy lotus spray trailing from its beak, the underside detailed with webbed feet, the stone of even tone.
Chinese Artist
18th century
Of tapering globular shape, carved with two layers of eight lotus petals rising from the shallow, pedestal foot, with angular spout, curved handle and plain, straight-cut neck rising from the rounded shoulder, the cover carved as a lotus pad with a four up-turned leaves centered by a mandarin duck holding a lotus spray in its beak, some russet flaws and pale inclusions
Chinese Artist
Ming dynasty (1368-1644)
The massive stone well carved as a pair of recumbent fu lions turned to face each other, a beribboned brocade ball trailing from one of the lion's closed jaws, the 'snail' curled mane trailing over each lion's back to meet the bushy tails, one small cub poised on the back, the underside detailed with clawed feet, the stone of celadon tone with patches of russet highlights
Chinese Artist
17th-18th century
Well carved in a recumbent position with head raised above the front paws and long tail curled atop the back, the softly polished whit stone with extensive russet staining of varying intensity
Chinese Artist
17th-18th century or later
The recumbent ram finely carved in gently rounded form with its head turned to the side, flanked by two young tucked along its side, the stone of even celadon color with grey streaks
Chinese Artist
18th century or later
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